blue monday song

However, through the weekend, he is continually prepping for the next Monday. Sunday mornin' my head is bad The song title was used for a 2006 biography of Domino by Rick Coleman. Saturday mornin', oh Saturday mornin' And I'm out on the stand to play

Domino's version was featured in the 1956 film The Girl Can't Help It. The single, with a slow-rocking beat, features an instrumental electric guitar solo by Lewis. Saturday mornin', oh Saturday mornin' Got my money and my honey Here come Tuesday, oh hard Tuesday All my tiredness has gone away ). By the time Friday comes, Fats gets his pay and is ready for the weekend ahead of him. And I'm out on the stand to play

Fats Domino recounts his entire week and how he feels about each day. And Friday I get my pay Sunday mornin' my head is bad All my tiredness has gone away Gene Summers included "Blue Monday" on his 1981 album Gene Summers in Nashville for the French Big Beat label. Huey Lewis and the News covered the song on their 1994 album Four Chords & Several Years Ago. "Blue Monday" is a song originally, written by Dave Bartholomew, first recorded in 1953 by Smiley Lewis and issued as a single, in January 1954, on Imperial Records (catalog # 5268). [citation needed], Georgie Fame picked up on Fats Domino's piano introduction to "Blue Monday" at the introduction of his hit recording of "The Ballad of Bonnie and Clyde". The baritone saxophone solo is by Herbert Hardesty.[5]. You wake up, go to work, go home, rinse and repeat.

[citation needed], Learn how and when to remove this template message, J. C. Marion, "Tee Nah Nah : The Story of Smiley Lewis", "Fats Domino - full Official Chart History - Official Charts Company", https://en.wikipedia.org/w/index.php?title=Blue_Monday_(Fats_Domino_song)&oldid=975630150, Billboard Hot R&B/Hip-Hop Songs number-one singles, Articles with dead external links from November 2016, Articles with permanently dead external links, Articles needing additional references from May 2010, All articles needing additional references, Articles with unsourced statements from March 2017, Articles with unsourced statements from February 2020, Creative Commons Attribution-ShareAlike License, This page was last edited on 29 August 2020, at 15:57. My gal calls, got to tell her that I'm out Blue Monday how I hate Blue Monday This song depicts the monotony of modern life. Cause Monday is a mess Cause Thursday is a hard workin' day Got my money and my honey


I'm so tired got no time to play
But it's worth it for the time that I've had [8], Buddy Holly was one of the first to cover the song and Cat Stevens also recorded a cover version. [2][3] The single, with a slow-rocking beat, features an instrumental electric guitar solo by Lewis. Got to work like a slave all day [4] Most later versions have credited Bartholomew and Domino as co-writers. "Blue Monday" is a song originally, written by Dave Bartholomew,[1] first recorded in 1953 by Smiley Lewis and issued as a single, in January 1954, on Imperial Records (catalog # 5268). This cycle continues every week and starts with the dreaded Monday workday.

What’s the Reason (I’m Not Pleasing You?

Here come Wednesday, I'm beat to my socks Cause Monday is a mess. But I've got to get my rest You wake up, go to work, go home, rinse and repeat. Tim Curry recorded the song for the theme of a 1986 British made-for-TV movie Blue Money. Bob Seger covered the song for the 1989 film Road House and Dr. John covered the song for his 1992 album "Goin' Back to New Orleans."

But it's worth it for the time that I had

This cycle continues every week and starts with the dreaded Monday workday. This song depicts the monotony of modern life. He starts out the song saying how bad the early work days of the week are. But I've got to get my rest It became one of the earliest rhythm and blues songs to make the Billboard charts, peaking at number five and reaching the number one spot on the R&B Best Sellers chart. Keith Almgren wrote lyrics in Swedish, with the song named "Härliga Lördag", and it was sung live in 1994 by Sten & Stanley. [6] The single reached number 23 on the UK Singles Chart[7] It was included on the 1957 Liberty album This Is Fats and the 1959 Liberty album Fats Domino Sings 12,000,000 Records. It was later popularized in a recording by Fats Domino in 1956, also on Imperial (catalog # 5417), on which the songwriting credit was shared between him and Bartholomew.


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